Streaming Services: The New Gateway Drug to Piracy
You want Kanye’s record first? Better sign up for Tidal. Need zero-day access to Drake’s upcoming album? Pony up for Apple Music. Wanna stream Adele’s latest? Don’t bother. Sometimes new business models are messy and end up provoking unintended consequences for the disrupters as well as the disrupted. All these conflicting exclusives, the features intended to differentiate the new music-streaming services, are muddying online music services and, according to The Verge’s Ashley Carman, may be driving music fans back to piracy. The need to subscribe to multiple services to get everything makes the proposition too expensive and complicated — and there’s never any question whether The Pirate Bay or Demonoid will have the latest by your favorite. It’s worth remembering that Napster rose not primarily because people like to steal but because the legal rights holders couldn’t get their collective act together. Is it happening again?
The Downside of Open
In business, “open” has become one of those attributes that everyone wants. But the world at large can close down in ugly ways, as Quartz’s Kevin J. Delaney writes in this soulful look at what happens when closed becomes the default. Using the rising barriers in Europe as his prime example, Delaney is frank about the risks of open (it’s messy, it can skew competition) but still champions it. We all share the same world. Borders between countries are, to one degree or another, arbitrary.